Hyundai Motor Company and Tate Modern today announced the opening of Hyundai Commission: Cecilia Vicuña: Brain Forest Quipu as Tate Modern unveils two monumental new sculptures created by Chilean artist poet Cecilia Vicuña. Woven together from an array of different materials, they hang 27 meters from the ceiling and are positioned at opposite ends of Tate Modern’s Turbine Hall in London, England. These sculptures are combined with audio and digital installations to form Vicuña’s most ambitious work to date.
Hyundai Commission: Cecilia Vicuña: Brain Forest Quipu is the seventh annual Hyundai Commission, a series of site-specific works created for the Turbine Hall by renowned international artists as part of a unique partnership between Tate and Hyundai Motor.
The installation brings together different strands of Cecilia Vicuña’s practice: her use of found materials to create delicate sculptural forms, her sound work, her activism for Indigenous peoples and environmental causes, and her pioneering work with the Andean tradition of the quipu. Describing this tradition, Vicuña writes, “In the Andes people did not write, they wove meaning into textiles and knotted cords. Five thousand years ago they created the quipu, a poem in space, a way to remember, involving the body and the cosmos at once. A tactile, spatial metaphor for the union of all.”
The multi-part installation is an act of mourning for the destruction of the forests, the subsequent impact on climate change, and the violence against Indigenous people. The pale, bone-white quipu sculptures in the Turbine Hall contain a complex variety of materials, including unspun wool, plant fibres, rope, and cardboard. These are interspersed with found objects like small clay pipes and pottery fragments, which were collected from the banks of the Thames by women from local Latin American communities.
The ghostly skeletal forms of these quipus stand for the dead forests and embody the delicate forces of the ecosystem, while their textures and colours evoke the bleached tree bark of forests killed by drought or intentional fire, as well as other dried-out natural substances like bone and snakeskin. Their interwoven structures also suggest deeper connections between the personal and the universal, from the mysterious grey matter of our brains to the awesome cosmology of deep time and outer space. Vicuña writes, “the Earth is a brain forest, and the quipu embraces all its interconnections.”
A soundscape titled the ‘Sound Quipu’ is played from speakers within each sculpture. Vicuña worked with composer Ricardo Gallo on the collection of compositions, which are woven together from new improvised recordings by Vicuña, Gallo and other artists, traditional Indigenous music, field recordings of forests, and periods of contemplative silence. This ‘Sound Quipu’ is joined by a ‘Digital Quipu,’ created from the videos of Indigenous activists and land defenders, which is shown under the Turbine Hall bridge and on screens found on concourses throughout Tate Modern, as well as online.
“This year’s Hyundai Commission by Cecilia Vicuña encourages us to consider everything it weaves together, including ancestral knowledge, memory, and songs, as well as visitors coming together to share this collective encounter,” said Thomas Schemera, Global Chief Marketing Officer and Head of Customer Experience Division of Hyundai Motor Company. “We anticipate that it will serve as a catalyst for open and engaging conversations that pave the way for the future.”
Finally, a ‘Quipu of Encounters: Rituals and Assemblies’ brings together artists, activists, scientists, poets, and defenders of forests worldwide in a collective ritual that will take place at Tate on the afternoon of Friday, October 14, 2022. Through a series of events the ‘Quipu of Encounters’ invites visitors to become active in the prevention of climate catastrophe. These networks continue a process that begun at Vicuña’s exhibition Spin Spin Triangulaire at the Guggenheim Museum and will continue in other locations worldwide.
Hyundai Motor’s partnership with Tate, confirmed until 2026, is significant not only because it is the longest initial commitment from a corporate partner in Tate’s history, but due to the shared vision between Hyundai and Tate to encourage new perspectives and ideas which create dialogue between artists, audiences, and global communities.
Hyundai Motor has been supporting art initiatives driven by long-term partnerships with global museums, including Tate, the National Museum of Modern and Contemporary Art, Korea (MMCA), and the Los Angeles County Museum of Art (LACMA) since 2013. In addition to the Hyundai Commission, Hyundai Motor supports the Hyundai Tate Research Centre: Transnational through its partnership with Tate. The Hyundai Tate Research Centre: Transnational launched in January 2019 and continues to help challenge and revise dominant art histories and highlight the global exchanges of artists and ideas.
Hyundai Commission: Cecilia Vicuña: Brain Forest Quipu is curated by Catherine Wood, Director of Programme and Fiontán Moran, Assistant Curator, International Art, with Helen O’Malley, Curator, Community Programmes, Tate Modern. It will be accompanied by a new book from Tate Publishing. Hyundai Commission: Cecilia Vicuña: Brain Forest Quipu October 11, 2022 – April 16, 2023, Tate Modern In partnership with Hyundai Motor